This is an exceptional Nurata suzani probably from the first half of the 19th century. The central field displays monumental floral sprays arranged in a staggered pattern. The vibrant colour palette includes coral reds, golden oranges, soft pinks, touches of blue and green, all appearing to be natural dyes that have aged beautifully. The cotton ground has been repaired in several places. But the embroidery stands out for its density and richness as a masterpiece. All the main techniques of Central Asian embroidery –  basma (couching), yurma (laid and couched work) and ilmok (chain stitch) are on display. The flower bouquets in Nurata suzanis reflect both the Persian garden tradition and the botehs (paisleys) of Mughal India. In this extravagantly rich piece, there are stylised roses, tulips, carnations, irises and pomegranate blossoms. Comparable pieces are in the Victoria and Albert Museum, and the Metropolitan Museum in New York.